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Posts from February 2013


New video from Fun. is a trip!
Since it doesn't look like the band fun. is coming anywhere near Madison (unless you count Detroit) in the near future, we'll have to be content listening to them on the radio, and watching their videos.

The band, which recently won the Best New Artist category at the Grammy's has just released a video for the song, "Why AM I The One," which really is a trip--literally. And for some reason it makes me want to put faces on all my suitcases.

Click here for more about the band and their upcoming summer tour.
 
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Album Stream - Atlas Genius "When It Was Now"
Stream the debut album from Atlas Genius "When It Was Now,"

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”
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Put Your Face On David Bowie's New Album
This is kind off cool, especially if you have no musical talent and no hope of releasing your own album with your own face on it.

David Bowie’s new album, The Next Day, comes out next month and he's letting Facebook users recreate the album cover and add “The Next Day” square to any of their Facebook photos with the click of a button.

Click here, then click “Connect using Facebook”, select a photo and adjust the square to fit. When you’re done, you can share to your wall or replace your current profile photo.
Have fun!
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New Album Releases 2/19/13
Atlas Genius When It Was Now Buy
Everclear The Best of Everclear Buy
Fine Young Cannibals Fine Young Cannibals (Deluxe Edition) Buy
Fine Young Cannibals The Raw & The Cooked (Deluxe Edition) Buy
Jerry Garcia Band Garcia Live Volume One: March 1st, 1980 Buy
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New Album Releases 2/12/13
Matt Costa Matt Costa Buy
The Bryan Ferry Orchestra The Jazz Age Buy
The Allman Brothers Band Macon City Auditorium Buy
The Allman Brothers Band ICON Buy
Aretha Franklin In The Beginning: The World of Aretha Franklin Buy
Imagine Dragons Night Visions: Deluxe Edition Buy
Joni Mitchell The Studio Albums 1968-1979 Buy
Grateful Dead Dead Ahead Buy
Grateful Dead Ticket To New Years Buy
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New Album Releases 2/5/13
Richard Thompson Electric Buy
Jewel Greatest Hits Buy
Taj Mahal The Complete Collection Buy
Roxy Music The Complete Studio Recordings 1972-1982 Buy
Townes Van Zandt The Unheard Studio Sessions & Demos 1971-72 Buy
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Ben Harper's unlikely collaborator
Ben Harper is known for his laid back, mellow surfer dude kinda music, with songs like "Bubble Toes" and "Diamonds On the Inside," but he's got a little blues man in him as well, as evidenced by his new album.

Harper teams up with legendary blues harmonica player Charlie Musselwhite for an album of all original blues tunes, called "Get Up" which is available now.

It turns out this collaboration has been in the works for a while--try a dozen years! That's when Harper and Musselwhite worked with another legendary bluesman, John Lee Hooker, who sensed some chemistry between the two and suggested they do some more stuff together. Since Hooker's been gone since 2001, that had to be some time ago.

Harper and Musselwhite fit together well despite the generational difference. It seems the blues has no age requirement.
Preview the album here.

 
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