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Kopecky Family Band Video for "Heartbeat"

Check out the new video for "Heartbeat" from the Kopecky Family Band.

They will be playing summer festivals such as Firefly, Outside Lands, Bumbershoot & Hopscotch!


From Facebook:
Sometimes song is thicker than blood.
First drawn together amid a college dorm 'pass the guitar' session in 2007, Kopecky Family Band co-founders Kelsey Kopecky and Gabe Simon quickly realized that they shared something beyond their alma mater.
"Gabe started playing and I was totally blown away," Kopecky remembers, "by his melodies, his talent. Something in the way he played felt so familiar to me and moving. I asked him if he wanted to get together and play some, sing some. And a few days later we did that. And it was crazy, it came together immediately– it just fit."
"I had just met her," remembers Simon, "but when we sang together, it sounds corny, but it felt like we'd known each other forever. Old souls meeting again. We were finishing each others lyrics, just immediately connected in the music."
This synergy propelled the duo forward and within months they had wrangled the rest of their sonic siblings – Steven Holmes on lead guitar, David Krohn on drums, Markus Midkiff on cello, and Cory Oxendine on bass - making them six in total. Within the year the burgeoning Family had released an EP, Embraces, and embarked on a nearly nonstop touring schedule, garnering fans around the country and developing both their sound… and their ties with one another.
"When we were originally trying to figure out a name," says Simon "we felt that Kelsey's last name had the right ring to it and we added the 'family' because that's really what it feels like when we all play together."
And that is what it sounds like, too.
The Kopecky Family Band are built on a foundation of intimately connected musical tones, warm and welcoming melodies, bright and epic symphonic layering - and vocal harmonies that recall all the greats – Gram and Emmylou, June and Johnny and onward and up…
You can hear the band's hometown of Nashville in this music too, the rich history of place - but past is always brought gently into present. This is not country, not pop, not folk, not rock, but something much more complex - call it a Brave New Nashville. It is a music that contains all the comfort of home while simultaneously embracing a bright, energetic openness - a willingness to explore and expand.
Over the past few years there have been two more EPs from the band – The Disaster and Of Epic Proportions (both released in 2010) – as well as a split 7" with Seattle's Ivan & Alyosha and revelatory performances at the Next Big Nashville and SXSW festivals. 2011 saw the Family on tour with artists including Devotchka and Gomez, and year-end accolades such as Paste naming them one of the '25 Best Live Acts' and '20 Best New Bands' of the year. And after last year's exhaustive co-headlining tour with The Lumineers, and performances at Lollapalooza and the Austin City Limits festival, the band finally got off the bus and into the studio, settling down for their first full-length.
The result, Kids Raising Kids, is a collection of tracks that reveal a band fully formed. This is sing-along, clap-your-hands, stomp-your-feet music. But it is also deep music, rife with emotion and layers of feeling – from melancholy to elation and back again.
"With this new record," explains Kopecky, "we tried really hard to be in our bodies, to be responding to the music not only with our heads and hearts, but in a visceral way too. We wanted it to be honest and emotional and true."
As a result, songs like "The Glow" soar and sweep, while tracks like "Change" keep it quiet and fragile. "She's the One" rides a dark, propulsive beat while "Waves" is shimmering and blindingly bright and "Heartbeat" is playful, sing-along pop. The record is a study of opposites, yet the refreshingly distinctive, unified sound these six musicians make together bleeds through each and every song. The album holds the cohesiveness and the complexity that belie true family bonds.
"We didn't want to be afraid to explore," says Simon, of Kids Raising Kids, "we wanted to go deep into different sounds, textures, genres – whatever fit the song and the story we were telling. If there's a thread that runs through this record it's the idea of 'kids raising kids', of each of us in the band really raising each other these last few years, and of everything that comes with that, the frustration and the fun and the good times and the bad times too. You come out the other side and you hope you've helped each other grow."

For more information on Kopecky Family Band and Kids Raising Kids, please contact Amanda Pitts at Cobra Camanda Publicity, tel: 512.243.7693; emailer: ap@cobracamanda.com.

- Manager: Rick Brewer - Rick.brewer@redlightmanagement.com
- General: Kopeckyfamilyband@gmail.com
- Booking Agent: Jay Williams - jwilliams@wmeentertainment.com
Description
Kopecky Family Band - love. lots of it. - Description: 5 Boys 1 girl, writing, playing and touring since 2007. Join the family!
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Great Performance of "If So" by Atlas Genius

Atlas Genius performed on The Late Show on May 2nd.

Check out their great performance here if you missed it!

From Wikipedia:
Atlas Genius
is an indie rock band from Adelaide, South Australia. The band consists of vocalist and guitarist Keith Jeffery, his brother Michael on drums, and Darren Sell on keyboards.[1] Their first single, "Trojans", was released on 4 May 2011 and in the USA the video premiered on MTV2's show 120 Minutes on 13 January 2012.[2] The single has been in rotation on Sirius XM's Alt Nation channel. "Trojans" received favourable reviews from the music review website Clixie Music, calling the song "a big-hitter".[1] Other reviewers called the song "slick"[3] and "a solid summer jam".[4] In the USA it has charted on Billboard's Alternative Songs chart, peaking so far at No. 4 .[5] In the UK the song received airplay from XFM and Radio One, and reached no. 82 in the Alternative Airplay Chart. Keith Jeffery describes their music as influenced by bands like Death Cab for Cutie, The Police, and Beck.[6]

The group was signed to Warner Bros. Records and released their debut EP, titled Through the Glass on 12 June 2012.[7][8] To support their EP, they embarked on a U.S. tour during August and September 2012.[9] Their track 'If So' has been chosen to feature on FIFA 13.

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Cool Madonna Cover! (Yes, we said Madonna)

You might remember the Canadian band "Walk Off the Earth" for their cover of Gotye's "Somebody That I Used to Know" that blew up youtube last year.

Now they're back with a cover of Madonna's "Material Girl" that is irresistable!

Their debut album is called "R.E.V.O." and it features the Gotye cover as well as ten other songs. Check them out here.

Even if you're not a Madonna fan, I think you'll enjoy this video.

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Cool New Garbage Cover Song: "Because The Night"

Garbage & Screaming Females in the studio recording "Because The Night" for their 2013 Record Store Day 10" vinyl release.

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New Album Releases: 3.26.13

New CDs In Stores Today (3-26-2013)

Depeche Mode/Delta Machine (Columbia)

Stream the Depeche Mode Album here.

Dido/Girl Who Got Away (RCA)
The Strokes/Comedown Machine (RCA)
The Waterboys/An Appointment With Mr. Yeats (Proper)

     
New Catalog CDs In Stores Today (3-26-2013)

Stephen Stills/Carry On (box set)
The Strokes/The Collection

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People : DidoStephen Stills


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Fresh New Music Weekend

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New Music In Stores This Week

New CDs In Stores This Week (3-12-2013)
 The Airborne Toxic Event/The Secret (Island)
David Bowie/The Next Day (Columbia)
Eric Clapton/Old Sock (Surfdog)
Tegan And Sara/Closer (WB)
 
New Catalog CDs In Stores Today (3-12-2013)
Gaither Vocal Band/ICON
Marvin Gaye/Marvin Gaye & His Women
Grateful Dead/Dick’s Picks 25: 1978 – New Haven, CT
Jellyfish/Stack-A-Tracks
Smokey Robinson & The Miracles/Time Out For…
 
New Music DVDs In Stores Today (3-12-2013)
Amos Lee/Live From The Artists Den
Queen/Live At Wembley Stadium (25th Anniversary Edition)
 
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David Bowie calls Eric Clapton an old sock

It might appear Eric Clapton is displaying a self-deprecating sense of humor with his new album that's coming out March 12th.

The album, which includes two new songs written by Clapton and lots of old standards, is called "Old Sock."

Now according to an Eric Clapton fan site, he got the title from David Bowie. Earlier this year, Clapton contacted Bowie to let him know that he liked his new song, "Where Are We Now."   In response, Bowie said something like, "Thanks, you old sock," which  Clapton thought would make a great title for his new album.

So there you have it!

The album has a little bit of everthing--some reggae, some blues (a cover of Gary Moore's "Still Got the Blues), and even some old standards ("All of Me," "Goodnight Irene", and "Our Love is Here to Stay.")

Some other "old socks" appear on the album too--including Paul McCartney, Steve Winwood, and JJ Cale.

Here's the official lyric video for one of the two new songs on the album. It features Chaka Khan on backing vocals.

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New video from Fun. is a trip!

Since it doesn't look like the band fun. is coming anywhere near Madison (unless you count Detroit) in the near future, we'll have to be content listening to them on the radio, and watching their videos.

The band, which recently won the Best New Artist category at the Grammy's has just released a video for the song, "Why AM I The One," which really is a trip--literally. And for some reason it makes me want to put faces on all my suitcases.

Click here for more about the band and their upcoming summer tour.
 
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Album Stream - Atlas Genius "When It Was Now"

Stream the debut album from Atlas Genius "When It Was Now,"

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”
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